Review of The Wild Zone by Joy Fielding

From Globe and Mail (Toronto) --

Wild at heart, stupid in head --

Reviewed by Michelle Berry --
Mar. 05, 2010 --

Joy Fielding's latest novel, The Wild Zone, begins as a joke (there are three men, Jeff, Tom and Will, in a bar) and it also begins with a joke. The very first sentences: “This is how it starts. With a joke. ‘So, a man walks into a bar,' Jeff began, already chuckling.”



The thing is, Fielding's newest novel is anything but a joke. It is serious, disastrous stuff. Full of violence and mayhem and seriously angry and disturbed people.

Jeff, Will and Tom are in a bar, The Wild Zone (the motto is, “Proceed at Your Own Risk”), and they make a bet: Who can be the first to seduce the sad-looking female in the near booth? Who can take her home? These three completely different personalities – Jeff is handsome and rugged, calm but powerful; Will is shy (a PhD student in philosophy) and quiet; and Tom is the crazed, discharged-from-the-army guy – have three very dissimilar approaches to the bet. However, it's amazing how much they have in common.

Suzy, the “bet,” isn't as innocent as she first seems. She draws these men into her life easily, each one competing for her attention for his own reasons, each one sucked into the vortex of her subtle charm. Actually, nothing is subtle in the book. The sex is wild and violent, the drinking and drugs are intense, the violence is gory and detailed.

Well, it is a thriller. This is what Joy Fielding is known for, what she's good at. And although the story is more than compelling (the jacket sucked me in), there is definitely something missing in the telling of it. The writing is raw, but the characters are all stereotypes: Tom, the violent ex-army guy, is the Incredible Hulk on steroids; his anger seeps from every pore. Jeff, his best friend, is much better looking and gets the girl, and everyone else is somehow doing well in life, even though Tom doesn't think anyone deserves it. So what does he do? He rapes an Afghan girl and is dishonourably discharged from the army. Of course, it's everyone else's fault.

And Jeff – well, he is far too good-looking, too calm and too in control. He has the perfect girlfriend, a good life. But he is so horribly macho that he will induce your gag reflex. Everything for Jeff is about sex – violent sex, sex that's good for him – and his body. Finally, there is Will, your typical student, shy, insecure and not good with girls.

Stereotypes are okay, especially in genre fiction. It's like fast food: You go back again and again because you know what to expect and you know what you'll get. But when all the characters are dimensionless and unlikable (there isn't one character I feel for), the twisted and interesting plot falls flat. Why do all these men end up helping Suzy? There isn't anything interesting about her. She isn't even nice. Is it possible to have suspense if your reader doesn't care what happens to the characters?

I guess it is possible, because The Wild Zone is a strangely compelling read. As Lynn Crosbie said in her review of Fielding's Heartstoppers, creating a story that forces someone to read until the end is an “enviable artistic achievement.” She is absolutely right. It's extremely hard to glue your readers to the page. But The Wild Zone does compel you to read on.

Is it just the violence and sex that keep you reading? Perhaps this is why Joy Fielding is a bestseller-list author. Perhaps this is her lurking talent: She sucks you in with end-of-chapter cliffhangers, violent results and wild sex. Maybe then, it doesn't matter if all the characters are idiots. After all, this is a thriller and, as with all thrillers, there is that twist at the end that forces you read until the very last sentence.

Review of The Wild Zone by Joy Fielding

From Winnipeg Free Press --

Fast-moving tale of bet gone wrong --

Reviewed by: Rebeca Kuropatwa --
27/02/2010 --

Fielding's story is gripping.

The Wild Zone
By Joy Fielding



Veteran novelist Joy Fielding's latest suspense outing is a fast-moving tale of a bet that goes terribly wrong.

Fielding is a rarity in Canadian publishing, a writer of successful commercial fiction rather than literary fare.

She has written more than 20 titles since the early '70s, among them such bestsellers as Kiss Mommy Goodbye and See Jane Run, which have been made in TV movies.

Her work is closer in spirit to Danielle Steel's than Margaret Atwood's, melding topical subject matter with no-nonsense storytelling.

The Wild Zone is set in Florida. It stars two 30ish brothers, Jeff and Will, out one night at The Wild Zone, a South Beach bar, with a married friend, Tom.

Tom, who is carrying a gun, has been Jeff's best friend since high school. They enlisted together in the army and served several tours of duty in Afghanistan.

Jeff, now a charismatic personal trainer, had come home a hero, but Tom was dishonourably discharged for an unprovoked assault on an innocent civilian.

Tom returned from Afghanistan a different man -- "a loose cannon." As the story unfolds, Tom's wife takes their kids and leaves him.

Will left Princeton to visit Jeff, needing to "take a break" from his PhD dissertation.

Jeff proposes a $100 bet on who can be the first to sleep with Suzy, an enticing dark-haired, blue-eyed beauty.

Jeff describes Suzy, who is drinking a pomegranate martini alone, as "just waiting for Prince Charming to hit on her."

The trio even enlist the help of Jeff's live-in girlfriend, Wild Zone bartender Kristin.

Little does this threesome know that Suzy is not just a simple deer caught in headlights.

She is secretly married to an abusive husband and is constantly under his watchful eye. As it turns out, Suzy has a lethal agenda of her own.

Kristin approaches Suzy, and comes back to tell Will, "Her name is Suzy and she picked you."

Hesitantly, Will takes a drink over to Suzy, still raw from being jilted by his last girlfriend. Will and Suzy leave the bar together, much to Jeff and Tom's chagrin.

Quickly, the story kicks into a high gear, a wild ride with a life all its own, strewn with surprises and consequences for all parties along the way.

Fielding's characters and plot are strong and well-developed. The story is gripping, always leaving the reader guessing, and culminates in a deliciously untamed twist of a conclusion.

Joy Fielding takes readers' questions

From The Globe and Mail (Toronto) --

Joy Fielding takes readers' questions --

Apr. 06, 2009 --

Joy Fielding has a story familiar to every writer who's ever made it: The first work she ever submitted was rejected.

Only in her case, she was eight years old and the editor who rejected her story worked at a children's magazine called Jack and Jill . She also felt the bitter sting of rejection at the age of 12, when a TV script about a 12-year-old girl who murders her parents was also turned down, according to the mini autobiography on her website.

Fielding has of course since gone on to become one of Canada's most successful authors, writing dozens of bestselling novels centred around the lives of women in jeopardy, often because they're involved with a bad man.

Her books, which are part thriller, part psychological drama, are never nominated for the Scotiabank Giller Prize or a Governor-General's award, but they sell around the world by the millions and have a huge following.

Fielding's latest novel, Still Life , is about a successful interior designer whose every bone is broken in a car accident, and who discovers in the hospital that, while she can't see or talk, she can hear everything being said around her. “She quickly discovers that her friends aren't necessarily the people she thought them to be – and that her accident might not have been an accident at all,” says the blurb on the jacket flap.

Fielding was born Joy Tepperman in Toronto in 1945. She had a brief career as an actress, appearing in one film and an episode of Gunsmoke , before moving onto full-time writing. She changed her name to Joy Fielding as an homage to the English writer Henry Fielding (author of Tom Jones ).

Her first novel, The Best of Friends , was published in 1972, was well received, and the New York Times called her 1981 novel Kiss Mommy Goodbye “a knockout.” But it wasn't until the release of See Jane Run in 1991 that Fielding hit the big time and made it onto the New York Times bestseller list.

“Probably my favourite book to date is See Jane Run ,” Fielding says on her website. “I'm not sure why it is so special to me. Maybe because it accomplished everything I wanted it to do. I felt it was an important story, one that existed on many levels, and I was very proud of both the writing itself and the story line.”

Fielding says she gets her ideas from news articles or takes them from the experiences of people she knows. And she still brings a bit of the actress to her writing.

“My main characters are all aspects of my own personality, although their stories are very different from my own,” she writes on her website. “Still, I find that I approach the heroines as if I were a Method actress. I think, how would I react if this were happening to me, what would I say if someone spoke this way to me? Sometimes, I try to take the easy way out by neglecting the characters and concentrating on the plot. This never works and I have to start again.”

Fielding lives in Toronto and Palm Springs, Fla., and also lived for three years in Los Angeles. “I think I have a fairly American sensibility, although this is very much tempered by my Canadian upbringing,” she says. “Generally, I set my books in big American cities.... The American landscape seems best for my themes of urban alienation and loss of identity. I am much more interested in the landscape of the soul.”